伴侣

　　郑家村，突然发生了一系列似怪异的事件。 众人来到郑家老宅，郑浩民在了解情况后，特邀请曾经的同事，考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后，从科学依据做出判断，郑家老宅四面环山傍水，阴湿气重，在地理上形同一个低洼混区，导致磁场混乱，各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候，两位教授遭受莫名攻击，陷入可怕幻觉，导致两人当场昏迷。 事态进一步恶化，破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。

　　带观众走入衰败中的欧洲，来一趟超凡之旅。集结了黑色幽默和奇幻故事，讲述一群人在碰上了一位陌生人之后，他们的生活开始崩坏。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

雷米与阿金这对小哥俩，终得与疏离多年的父亲弗拉林共享难得一日。三人游走在初次相见的巨型都市拉各斯，少年窥见钢筋森林的奇观，亦目睹父亲谋生路上的重重难关。此刻整座城市正笼罩在1993年总统大选结果的巨大阴云之下，而父子三人的归家之路，竟也成了选票漩涡中飘摇的未知数。