王俪丁大大大床上窗边一起来

錺（かざり）職人のもとに奉公していた幸助（片岡千之助）は、ようやく8年の年季が明けることになった。                                                                      　　幸助は幼馴染のお蝶（北 香那）という娘に想いを寄せていた。                                                                      　　5年前、幸助とお蝶は年季が明けるその日、刻は暮六ツに、萬年橋で会う約束をしていた。                                                                      　　互いに想いながらもこの5年の間、幸助は人には言えない秘密を抱えていた。                                                                      　　また、お蝶の身にも幸助には話せない辛い思いがあった。                                                                      　　橋が見渡せる川辺からそっとお蝶を探す幸助。懐にはお蝶の為に作った簪（かんざし）が入っている。                                                                      　　果たして二人は萬年橋で再会することができるのか……。

 露丝·威尔森、库什·珍宝、裴淳华正商谈主演改编自大热音乐剧《The Band》的新片[最伟大的时光](Greatest Days，暂译)。影片由科奇·吉尔佐(《名姝》)执导，片名灵感源自英国流行组合接招合唱团(Take That)的同名歌曲。故事围绕着五名女学生展开，她们在自己最喜欢的男孩乐队的演唱会上，度过了一生中最难忘的夜晚。25年后，她们的生活以及生活方式发生了翻天覆地的变化，她们相聚在一起回望过去并探索未来。接招合唱团成员包括加里·巴洛、霍华德·唐纳德、杰森·奥兰奇、马克·欧文和罗比·威廉姆斯。环球音乐集团将全力助阵该项目，接招合唱团的大量歌曲将获得使用，包括《Patience》《Back For Good》《A Million Love Songs》《Relight My Fire》《Could It Be Magic》等金曲将全部在影片中呈现。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.