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这就是我2026
望月春希,斋藤工主人公贤示自幼饱受性别认同困扰,却始终未放弃成为偶像的梦想。医生和田在与贤示相遇后,首次直面性别认同障碍的现实,并以贤示为首例亲自主刀的性别重置手术患者。一个选择活出自我,一个探索“真正的医疗”,两人在偏见与孤独中建立起深厚信任与羁绊。 本片改编自春菜爱与和田耕治的原著,讲述开启禁忌手术之门的真实故事。
怪物2023
安藤樱,永山瑛太,黑川想矢,柊木阳太,高畑充希,角田晃広,中村狮童,田中裕子平静的湖畔小镇,疼爱儿子的单亲妈妈早织(安藤樱 饰)、为学生着想的爽直老师保利 (永山瑛太 饰)以及天真烂漫的孩子们本过着安稳的生活,却因为一次校园冲突,发酵酿成轩然大波,惹起社会与媒体的关注。当事态越见严重,竟在一个暴风雨的清晨,两个孩子双双失去了踪影……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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改得好![:a嘿嘿:][:a嘿嘿:][:a嘿嘿:]
沈浪:找,找到了,下个星期可以开始输血了
唉太过优秀的人就如夜空中耀眼的流星转瞬即逝
[:bjqgx|吃瓜:]你老公在找你[:bjqgx|开心:][:bjqgx|开心:]
所以沈浪是怎么知道这些乞丐有能力的?沈浪又不会看血脉
给不能截图的姐妹~拿图记得吱一声
我把然然看成菠萝的女装样了
为什么啊?,
洞房花烛夜错雨真的好幸福啊抱图吱就好了
这个漫画是多长时间更新一次啊