上海社会档案
剧情简介
王海南屡次偷渡不成功, 被遣返大陆, 不用判刑。 一次, 王海南遭前度女友丽芳刺伤,案子交由尚琪侦辨。海南伤重去世, 丽芳坦承杀人罪,不肯透露动机,上方施压力将此案速速判决, 尚琪认为事有可疑, 追查之下, 才知道个中有段不足为外人道的原委, 而一切一切只能存在社会档案里!
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王海南屡次偷渡不成功, 被遣返大陆, 不用判刑。 一次, 王海南遭前度女友丽芳刺伤,案子交由尚琪侦辨。海南伤重去世, 丽芳坦承杀人罪,不肯透露动机,上方施压力将此案速速判决, 尚琪认为事有可疑, 追查之下, 才知道个中有段不足为外人道的原委, 而一切一切只能存在社会档案里!
本片是一部跨越百年的爱情传奇故事。讲述了安宇廷因为好奇心驱使阴差阳错地来到桃源村,从而在桃源村经历了种种奇遇看到美人鱼,最后与村民一起同来伤害美人鱼的恶势力作斗争,并最终取得胜利......
Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
[:bjqgx|吃瓜:]你老公在找你[:bjqgx|开心:][:bjqgx|开心:]
这种时候加更才对comeon!
腾瑞雨已多次被钱队抓住命运的衣领😏(笑容逐渐变态)
美人怎么了,美人怎么了!谁干的!啊啊啊,队长你一定要把美人救回来呜呜呜。
看见那个穿白西装蓝眼睛的男人了吗,那是我老婆。
不是哥们,要不要这么会断啊,这周最后一更啊[:a生气:]
第三场文战的抄文为:1.《刑赏忠厚之至论》——苏轼2.《龟虽寿》——曹操[:a可爱:]
第三场文战的抄文为:1.《刑赏忠厚之至论》——苏轼2.《龟虽寿》——曹操[:a可爱:]
你们一堆姑娘家家的,怎么比我一个…还……唔
快看我截到的图