偷吻

本片改编自同名漫画，背景设定在提倡支持艺术家移居的海边城市，讲述了悠哉生活的14岁美术社员奏介和他的伙伴们，在奇怪的“艺术家”们来来常常的海边街道上，一边做着自己喜欢的东西，一边用无限的想象力让世界变得愉快。

　　Beneath the fake blood and cheap masks of countless haunted house attractions across the country, there are whispers of truly terrifying alternatives. Looking to find an authentic, blood-curdling good fright for Halloween, five friends set off on a road trip in an RV to track down these underground Haunts. Just when their search seems to reach a dead end, strange and disturbing things start happening and it becomes clear that the Haunt has come to them...

 Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.

　　在天眼尚未密布，监场保安仍会打瞌睡的二十世纪七十年代，名画大盗就是会光天化日，大剌剌走进美术馆，直接把猎物从墙上取下放入布袋运走。看似儿戏的一切，背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式，改以其擅长的左翼简约主义镜头，捕捉触犯艺术罪行者的日常生活、双面人的言行处境，以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口，但到头来凸显存在荒谬的公路逃亡，俨然为观众添加了不少欣赏和思考的层次。